Introducing: The Jaquet Droz Grande Seconde Quantième In 41mm

I will always retain an affection for the Grande Seconde watches in enamel, though. It’s difficult to remember at a distance of two decades, but horological enameling was at one point a nearly lost art. It required the effort of a few dedicated, extremely stubborn and persistent, and often self-taught artists like Miklos Merczel at Jaeger-LeCoultre, Suzanne Rohr at Patek Philippe, and Anita Porchet, to keep the various extremely difficult genres of horological enameling and enamel miniature painting alive. Though one sees enamel dials – both standard vitreous enamel and more complex enamelwork such as paillonée, flinqué, and cloisonné – more frequently today, it is worth remembering that like mechanical horology itself, it was at one time a craft whose future seemed very much in doubt, and which continues to exist today thanks to brands like Jaquet Droz, which was a pioneer in bringing the art to a wider audience.

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